Finalitatea Simbolic-Mitică a Creaţiei De Sens În Configurarea Onto-Teofaniei Poetice Blagiene

Abstract

Abstract In this paper, we seek to demonstrate how Lucian Blaga’s poetic universe is double layered, in the sense that one can distinguish between, on the one hand, a phenomenological plane, characterized by a pervasive sense of the inexorable passage of time and of human mortability and, on the other hand, a supramundane (noumenal) plane which, in a profane world, has become unattainable and therefore intensifies the individual’s sense of loneliness and estrangement from a sacred universe. We attempt to show how there two planes interfere, mainly through revelations of the divine (epiphanies). In our paper, we follow a poetic and stylistic approach, founded on Mircea Borcilă’s attempt to formulate a poetic typology aiming to highlight the intrinsec mechanisms of a poetic finality oriented towards the creation of meaning, therefore inscribing Blaga’s poetry on the coordinates of a symbolic-mythical pattern. The linguist’s theory draws on Blaga’s conception of the duality of metaphor (“plasticizantă” and “revelatorie”), the latter having a revelatory function and being subdivided by Borcilă according to a cultural finality into a “plastic” finality in creating poetic meaning, whose universe of reference will be modelled upon the phenomenological world, and a ”revelatory” finality, whose universe of reference will be modelled upon a noumenal, transmundane world.