Abstract
Abstract This text sets out to discuss questions arising from the work of filming Brazilian popular festivals, celebrations and rituals in which music-making involves a process of collective musical production, practices linked to what Turino (2008) has called ‘participatory music.’ By making music together, the participants take part in intense non-verbal social interactions that very often reach a collective climax or trace, an experience difficult to translate into words. How can film express and communicate this type of musical experience involving all the senses? Setting out from technical guidelines developed in a project to film participative musical performances for a documentary series, Taquaras, Tambores e Violas, the text aims to reflect on the potential of the audiovisual medium as an experiential mode that both apprehends the musical context and enables the spectator to access and discover the participatory performances depicted through the evoked experience and senses.
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