Abstract
Seulement trois documentaires muets indiens existent toujours. Au-delà de l'analyse textuelle, l'examen de ces films soulève plusieurs questions historiographiques, telles que la formation accidentelle du canon reliée au hasard de la survie ou de la disparation des oeuvres; les conditions de lecture partielle que ces films permettent; les relations entre le cinéma local et le cinéma colonial, en particulier pour les films de promotion de la Indian Railways; et les styles de photographies déployés dans ces documentaires, tel le pittoresque.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
