Abstract
With the possible exception of Stride, Soviet [Shagai, Sovet] (1926), The Eleventh Year [Odinnadtsatyi] (1928), Dziga Vertov’s most important film on the great early Soviet theme of electrification and the first of his three Ukrainian productions, is probably the least known and least frequently discussed of Vertov’s major silent documentary features.1 Inaccessibility is surely the prime reason for this neglect: to my knowledge, the film has never been released in any home viewing format in any country, and prints are available in only a few archives worldwide.2 Beyond this, The Eleventh Year, for all the complexity of its montage, imparts a rather simple agitational message, as befits its fundamental purpose as propaganda for the Soviet state’s drive toward industrialization and electrification.3 Beginning with a nearly wordless account of humans and machines collectively overcoming nature’s stony inertia to mobilize water and coal for human (specifically, agricultural and
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