Abstract

The article reports on the process of producing a film for students in a university course. The purpose of the production was to make local film material that could assist students in their learning of developmental cognitive psychology theory in general, but specifically also the mathematical cognition of children. Although the students in the production team set out as actors and technical helpers, they gradually appropriated their acting roles and the plot of the story to the extent that they learned the theory that the film was portraying. Not only did they show interest in the psychology texts and the story, but they also developed agency – they became the owners of the film. The argument of this paper is that a multimodal foundation in teacher education can give students multiple semiotic entry points, but also, if given the opportunity to make a dramatic film, they can learn the content of mathematical cognition while learning film production. The article argues that contemporary teacher education programmes are by their very nature briefed to be multimodal, because teachers’ work in schools in the 21st century requires more than language text and oral, in-person communication.

Highlights

  • The making of an instructional film with teacher education studentsIn this article I explore how the making of a film became a vehicle for students to develop their theoretical understanding of mathematical cognition in childhood

  • Most of the students who study for an education degree at our institution have little exposure to the texts of, for example, cognitive psychology, before they enter university

  • At South African universities in general, students have to engage with academic English, which makes things even harder for those among them who use it is a second language, especially when it comes to academic discourses that often contain incomprehensible, subject-related terms (Seligmann & Gravett 2010)

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Summary

Introduction

In this article I explore how the making of a film became a vehicle for students to develop their theoretical understanding of mathematical cognition in childhood. She goes on to say that students have a different experience when they see the theoretical content discussed in academic classes represented in real-life situations outside the classroom, and that the process becomes exponentially more powerful when they are involved in the actual film-making.

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