Abstract
ABSTRACT This article discusses Turkish multi-instrumentalist and singer Fikret Kızılok’s protest songs in relation to the socio-political context of Türkiye from the 1960s to the 1990s. Kızılok’s music serves here as a crucial historical testimony, reflecting the evolving political landscape and cultural trends during a period marked by coups and social unrest. Despite the significance of his work, there is a notable lack of comprehensive academic research on Kızılok’s contributions. This study analyzes his albums, interviews, and discussions in various media, positioning his songs as vital objects of memory and protest. By examining Kızılok’s discography, the article emphasizes the intersections of music, society, and politics, arguing that understanding his music can enrich our comprehension of the broader dynamics at play in Turkish cultural production, social critique, and the commodification of music. The findings prompt further exploration of Kızılok’s impact on protest music.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
