Figure and Force in Animation Aesthetics

Abstract

How can movements in animated films be described? Figure and Force in Animation Aesthetics introduces a powerful new method for the study of animation. By looking for figures—arrangements that seem to intuitively hold together—and forces—underlying units of attraction, repulsion, and direction—it reveals startling new possibilities for animation criticism, history, and theory. Drawing on concepts from Gestalt psychology, the book offers a wide-ranging comparative study of four animation techniques—soft-edged forms, walk cycles, camera movement, and rotoscoping—as they appear in commercial, artisanal, and avant-garde works. In the process, through close readings of little-analyzed films, the book demonstrates that figures and forces make fertile resources for theoretical speculation, unearthing affinities between animation practice and such topics as the philosophy of mathematics, scientific and political revolution, and love. Beginning and ending with the imperative to “look closely,” Figure and Force in Animation Aesthetics is a performance in seeing the world of motion anew.