Feminist Söylem Çözümlemesi Açısından Marriage Story Filminin İncelenmesi

Abstract

Language and cinema make use of distinctive tools to interpret and reflect external reality. While signs in language consist of signifiers and signified(s), in cinema they are fiction, sound, image, and most importantly, discourses within the screenplay. A discourse is a unit of communication value that, for the most part, includes the social and production conditions of language beyond utterances. Examinations of discourse can be done from a linguistic perspective that engages grammar, sentence structures, and voice, or from a non-linguistic perspective. Critical discourse analysis approaches its object of study from a broad perspective. It aims to critically examine texts and speeches on subjects such as racism, sexism, colonialism, and other forms of social inequality. Critical feminist discourse analysis focuses on the complex structures of hidden power relations and the ideologies that support gender regulations in discourse, though it is separate from critical discourse analysis in various ways. In this study, the film Marriage Story, written and directed by Noah Baumbach, undergoes critical feminist discourse analysis. By constructing the character Nicole, the female protagonist who attempts to exist in a masculine public sphere and, in the process, becomes a liberated individual who makes a series of decisions in line with her desires and needs and self-expression, Baumbach criticizes the dominant ideology of his own cinematic making.