Abstract

This paper analyzes the way in which women's interpretive communities are formed and the methodology of production of (feminist) knowledge. The analysis connects the results of contemporary studies of feminist periodicals/feminist studies of periodicals, and the project Srpkinja (Serbian woman) from 1913. The interpretation of the book Srpkinja starts from the assumption that it is a (serial) publication which contains autopoetic statements and hypotheses about magazines. This is, probably, the first case in the history of Serbian/Yugoslav periodicals of a serial publication that (systematically) describes the basic categories which are necessary for interpreting, creating and editing women/feminist periodicals. In this paper Srpkinja is analyzed as the first carefully conceived project based on the construction of women's networks, thanks to which one of the first women's interpretive community was formed.

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