Feminist Implications of Anti-leisure in Dystopian Fiction

Abstract

This essay provides a feminist perspective on dystopian anti-leisure. Dystopias are futuristic anti-utopias where leisure is distorted and individuals are manipulated to further the agenda of the politically powerful (Rabkin, 1983). The purpose of this essay is to illustrate how women in dystopian societies are subjected to anti-leisure as evidenced by the devaluation of their personal leisure spaces. A feminist definition of leisure is used to guide a poststructuralist feminist analysis of four dystopian novels: Margaret Atwood's The Handmaid's Tale, Aldous Huxley's Brave New World, Kurt Vonnegut's Player Piano and George Orwell's 1984. Synopsis and discussion are then employed to demonstrate how two binary oppositions of female disempowerment are evidenced in the novels and to consider how these same forces operate in reality to jeopardize women's personal leisure spaces.