Abstract

Recent gestures in feminist and Latin American exhibitions do not sufficiently account for the unique position of Latin American artists engaging with feminist aesthetic practices. Looking to the space given Mexican artists in three recent blockbuster exhibitions, I demonstrate that the resulting curatorial constructions activate art historical mythologies that work to further solidify exclusion from the international art world. In examining the effects these in/visibilities have on collective knowledge of Latin American feminist art histories, I ultimately suggest possibilities for change rooted in critical and conceptual cartographies that speak both from and to feminism’s folds, activating intergenerational networks vital to maintaining feminism’s unfolding historical and contemporary relevance.

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