Abstract
This paper discusses the performance of Gurbānī kīrtan rendered by female singers, an activity that is an integral part of the Sikh spiritual practice, yet at a professional level has always been considered a male domain.The study is framed within the wider context of Indian traditional culture, analyzing the social norms that for centuries prevented women from public exposure in the fields of religious and classical music. In relation to the Sikh tradition, the author explores the variety of musical forms (classical and folk) adopted by female kīrtanīe for performing Gurbānī hymns, raising important issues about music education.Based on ethnographic research among the community of contemporary kīrtanīe, the article explores the key role of media in promoting female performers during the last three decades, through dedicated TV and radio shows, social networks and web sites. In the author's analysis, each decade has brought about radical shifts in the strategies of production and perception of Gurbānī kīrtan, opening up new opportunities for performance by female kīrtanīe.
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