Abstract
In this essay, the author uses interviews and many other sources to review three large-scale diptychs by the artist Berenice D'Vorzon in terms of personal experience, environmental awareness, and Judaic thought. In her discussion of Tick Island Genesis, Lilith Swamp Diptych, and Two Aspects of Shekhinah, the author explores D'Vorzon's creative dialogue with Hudson River School landscapists, Second Wave feminists, and Abstract Expressionist painters.
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