Abstract
Abstract Historical reenactment has developed from a niche phenomenon to a global one over the past couple of decades. As a popular pastime it sparks enthusiasm and curiosity for past lifeworlds among the reenactors themselves as well as among the audiences. With its focus on restaging battles and combat, the reenactment environment is a predominantly male one. This article examines female practices of reenactment in a Polish reenactment group. It aims to not only add to the existing body of literature on female reenactors, but to further pinpoint the extent to which the concept of curation helps expand and deepen the understanding of reenactment practices both in general and with regard to female participation. The focus is on female-to-male cross-dressing, interpreted as an ambiguous practice which allows for both the deconstruction of normative gender performances and their stabilization.
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