Abstract

Abstract Drawing on Heather Love and Dan Irving, this piece argues that Rodrigo García's film Albert Nobbs has a place in transgender studies because it offers a cinematic opportunity to engage in feeling backward, to view sadness, dysphoria, and loneliness as part of an important, (re)current register of transgender affect.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call