Abstract
Much has been written about Red House, the home of Jane and William Morris between 1859 and 1865, as an example of architectural innovation and a place of artistic fellowship. In accounts by Morris's contemporaries and subsequent scholars, Red House has also been represented as a site of conviviality, creativity and youthful idealism, where a utopian way of life proved unable to withstand the vagaries of mature responsibilities. This essay reconsiders the happy memories attached to Red House and explores how the affective investments that linked people, spaces and objects were created and enhanced by a shared process of creative improvisation there. Drawing on recent scholarly work on feelings, emotions and affect, this essay pays particular attention to the gendered experience of intimacy and creativity at Red House and seeks to redress a tendency to discount women's creative agency in the household. In the web of relationships at Red House, expressed and enacted through practices of creative labour and ...
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
