Abstract
This article describes the features of the depiction of architectural space in the paintings of the surrealist artist Giorgio de Chirico. In general terms, surrealism is described as an artistic style of the early twentieth century, its emergence, distinctive features and semantic tasks; The questions in relation to Giorgio de Chirico are examined in more detail: from what architectural objects and constituent elements is the urban space of his paintings formed, what objects are the main semantic parts, the general universal architectural model of the formation of such a space in de Chirico’s compositions is described. The article describes the semiotic structure used by the master, reveals the concept and meaning of the term “metaphysical painting”, ways of reading a surreal work of art, and the playful nature of the interaction between the artist and the viewer. The article analyzes in detail the methods and features of constructing the internal space of the metaphysical works of this master, showing the constituent elements, methods, techniques, and techniques for organizing the composition of the painting. The significance of the image of architectural space in de Chirico’s works on modern man and the use of his artistic experience in our time is described.
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