Abstract
The article examines and analytically evaluates the features of the architectural and spatial organization and compositional structure of the Catholic cult object of the 20th century, the principles and methods of shaping which do not fit into the format of traditional canons and parameters of architectural solutions of churches. Being, due to its unusual figurative characteristics, the object of attraction of numerous tourists, the Church of Our Lady of Ruzhentsova in the village of Soly, Grodno region, nevertheless, unfairly, in our opinion, is deprived of the attention of professional specialists-architects. Apart from brief information in Wikipedia, commercials on the Internet, as well as stingy information in some literary sources, it was not possible to find any serious studies of the architectural features of the unique object. At the same time, there are discrepancies in the assessment of his style affiliation – modern, neo-Baroque, non-Gothic? In the work, based on a detailed study and generalization of literary sources, Internet resources and visual field survey, the author's version regarding the stylistic affiliation of this object is proposed.
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