Abstract

Research aim is to find out the features of direction of multi camera survey at creation of the sporting reporting and organization of work of film crew (stage-director, operator, sound producer and commentator). Research methodology is based on scientific methods. They are the analysis (successive exposition of investigational and appraised theoretical and practical material); to the synthesis (to exposition of inferencing in relation to the done research of problem); logical method (for development of the existent theoretical presentations obtained on the basis of working and walkthrough of materials of this research); comparative (used for research of foreign and home theoretical and practical sources from the theme of research) and others like that. The scientific novelty of the obtained results consists in certain functional features, the basic aesthetic and technical requirements to the film crew at the multi camera survey of sporting events and creation of the sporting reporting. Certainly, that a stage-director, operators, sound producer, commentators, producers, must: to know the rules of game of every concrete type of sport, competition from that filmed; to have professional knowledge, abilities, skill, experience and mutual understanding in a creative group; to work on a general result and maximally to realize the previous creative intentions. Conclusions . The analysis of feature of organization of work of film crew (stage-director, operator, sound producer and commentator) at creation of the sporting reporting gives an opportunity to come to the conclusion, that a collectivity and harmony of work at transference on the screen of sporting event and creation of the sporting reporting have a decision value. Every operator and sound producer must exactly know a previous stage-director score and own information about the general task of survey. Not only every kind but also different places of surveys need individual approach from a creative group. A survey is divided by a stage-director between operators for plans. A stage-director and operators must operate in accordance with a situation that is folded during competitions, that gives possibility to improvisation in the construction of composition, which depends on the nascent «staging». A quality voice row is provided by sound producer and microphonic operators. The task of sound producer consists not only in the transmission of original noises and voice of commentator in ether but also to their distribution in ether. It should be noted and highly responsible role of commentator, that supports an image a word and actively influences on perception of spectator, constantly controls spectator attention with the aim of emotional fascination of spectator a process that takes place.

Highlights

  • Research aim is to find out the features of direction

  • Research methodology is based on scientific methods

  • for development of the existent theoretical presentations obtained on the basis of working and walkthrough

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Summary

TELEVISION JOURNALISM AND ACTING

Bulletin of Kyiv National University of Culture and Arts. ОСОБЛИВОСТІ ОРГАНІЗАЦІЇ РОБОТИ ЗНІМАЛЬНОЇ ГРУПИ (РЕЖИСЕРА, ОПЕРАТОРА, ЗВУКОРЕЖИСЕРА І КОМЕНТАТОРА) ПРИ СТВОРЕННІ СПОРТИВНОГО РЕПОРТАЖУ. Анотація Мета дослідження – з’ясувати особливості режисури багатокамерної зйомки при створенні спортивного репортажу та організації роботи знімальної групи (режисера, оператора, звукорежисера і коментатора). Наукова новизна одержаних результатів полягає у визначені функціональних особливостей, основних естетичних і технічних вимог до знімальної групи при багатокамерній зйомці спортивних подій та створенні спортивного репортажу. Аналіз особливостей організації роботи знімальної групи (режисера, оператора, звукорежисера і коментатора) при створенні спортивного репортажу дає можливість дійти висновку, що колективність та злагодженість творчості при перенесенні на екран спортивної події і створення спортивного репортажу має вирішальне значення. Кожен оператор і звукорежисер повинні точно знати попередню режисерську партитуру і володіти інформацією про загальне завдання зйомки.

ТЕЛЕЖУРНАЛІСТИКА ТА МАЙСТЕРНІСТЬ АКТОРА
Постановка проблеми
Виклад основного матеріалу
Новизна дослідження
СПИСОК ПОСИЛАНЬ
Full Text
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