Abstract
AbstractThe Bambara foot is represented as a rhythmic unit which can be disyllabic or monosyllabic. Foot-parsing is both segmentally and morphologically conditioned. A foot can coincide with a morpheme or be smaller than a morpheme, but it cannot include more than one morpheme. The main factors for foot-parsing are: types of initial consonants, types of internal consonants and vocalic combinations; directionality (left to right) is a secondary factor. Segmentation into feet is relevant for the realization of tone. Disyllabic feet are subdivided into two types, heavy and light; heavy feet have a long vowel in the initial syllable, while light feet have a short vowel in this position which is susceptible to elision (depending on phonotactics). It seems unnecessary to postulate stress in Bambara. The views of previous researchers on the Bambara foot are critically analyzed.
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