Abstract

AbstractThis article charts the activities of featherworkers (plumajeros) at the Habsburg court in Madrid. Drawing on archival records, objects, and paintings from sixteenth‐century Spain, I argue that royal featherworkers' skills, wit, and intricacy in the transformation of materials established feathers as luxury items. In sixteenth‐century Spanish court society, feathers evoked sensory experiences that provoked emotions, staged civility, and materialized courtly hierarchies. Deploying the concept of ‘material cross‐citationality’, the article examines the significance of artisanal interventions to animate and enliven such qualities of feathers, and to turn feathers into luxury experiences. The combination of in‐depth archival research and materials‐based analysis, digital microscopy, and remaking experiments allows also for the identification of the materials and costs of featherwork depicted in some of the most iconic portraits of the Habsburg family, situating such visual artefacts within the broader world of material acts of courtly affordances.

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