Feasibility Study of Persian Irony Functions in Iranian Conceptual Art

Abstract

Persian language in Iranian art has had many Functions a long time ago. This function has been revealed sometimes in imagery form for literary fiction in Iranian painting, and sometimes in ultra-modern in form of representation of words, letters and sentences in the works of Iranian contemporary artists, including Ghahve-Kaneh and Sagha- Kane style painting. After the 70s, line drawing also paid attention to values of words and letters too, among them some conceptual artists, with the pursuit practical background of language make different representations from words and letters in their works. What is necessary is that, Persian language is a treasury which has many capabilities for transmission of ideas and concepts. As for contemporary conceptual art, we can see that these capabilities have been neglected. This means that with Compilation of conceptual art and analysis of them. The question is, how can Persian allusions be involved in the structure of the creation of conceptual art? The findings of this descriptive-analytical study show that by doing this, with change substance in language, it means, word to art essence, ready one, produce, which follow construction of idea transmission of conceptual art, non-skillful being predetermination programing, non-subjectivity, also evidence and briefness.