Abstract
Aemilia Lanyer uses the genealogical model of promise, fulfillment, and supersedure implied by biblical typology and the vindication of the godly implied in scriptural apocalypse to accomplish several related aims: to represent her dedicatees as biblical types; to fashion Margaret, Countess of Cumberland, as the apotheosized Christian woman; to write women's literary history. Her fluid metaphors and biblical allusions, which require reading equally for their material and spiritual significance, acknowledge Margaret and her daughter's desire for the spiritual inheritance of the Kingdom and the worldly aristocratic inheritance willed away from their female line in favor of a male heir.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
