Abstract
Fashioning Masculinities: The Art of Menswear at the V&A Museum in London (19 March–6 November 2022) marked a significant curatorial and cultural moment. Curated by Claire Wilcox, Rosalind McKever and Marta Franceschini, the exhibition explored the shifting landscape of menswear by focusing on the intersections among fashion, art, time and gender. This review essay critically reflects on the curation of the Fashioning Masculinities exhibition and the accompanying two-day symposium (13–14 October 2022) co-convened by the V&A and the Masculinities Research Hub at London College of Fashion. It argues for the need for interdisciplinary research and curation on menswear and masculinity studies to explore a plurality of intersectional identities. Additionally, this article argues for the importance of engaging diverse audiences across the sector with rich stories of making, wearing and fashioning identities. There remains considerable scope to move beyond a focus upon historical dress and luxury designer items, to include the often invisible and untold narratives of ordinary and everyday dress.
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