Abstract

ABSTRACT Consumers are increasingly asked to “empty out their closets,” to “de-clutter” or in other ways detach themselves from the textile surplus of their wardrobes. In this article, fashion is examined as a process of detachment. Building on ethnographic wardrobe interviews, wardrobe clearances and group discussions with consumers, detachment is viewed as a fundamental, yet underexamined, process of fashion practices. Drawing on the queer phenomenology of Sarah Ahmed, we observe how the informants express a desire to detach themselves from the fast fashion system and become more sustainable, less dependent on consumption and more oriented toward emotional investment. Being oriented towards specific pieces of clothing allowed for attachment to that which is already here thus opening up for a relationship with clothing based on joy and care, rather than the unsustainable focus on the newly produced.

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