Fascism, Writing, and Memory: The Realist Aesthetic in Italy, 1930-1950

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Previous articleNext article No AccessFascism, Writing, and Memory: The Realist Aesthetic in Italy, 1930-1950Ruth Ben-GhiatRuth Ben-Ghiat Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by The Journal of Modern History Volume 67, Number 3Sep., 1995 Article DOIhttps://doi.org/10.1086/245175 Views: 30Total views on this site Citations: 13Citations are reported from Crossref Copyright 1995 The University of ChicagoPDF download Crossref reports the following articles citing this article:Francesca Billiani Atlases of Translations, (Nov 2020): 1–21.https://doi.org/10.1007/978-3-030-54150-7_1Francesca Billiani, Laura Pennacchietti 900 and Quadrante: Theorizing an Interdisciplinary Aesthetic Model, (Sep 2019): 97–123.https://doi.org/10.1007/978-3-030-19428-4_5Francesca Billiani, Laura Pennacchietti Novels and Buildings, (Sep 2019): 149–200.https://doi.org/10.1007/978-3-030-19428-4_7Catherine O’Rawe Back for good: melodrama and the returning soldier in post-war Italian cinema, Modern Italy 22, no.22 (Apr 2017): 123–142.https://doi.org/10.1017/mit.2017.18Andrea Righi The Territorial Nomad: Strapaese and Capture, (Jan 2015): 79–116.https://doi.org/10.1057/9781137476869_3Sofia Serenelli ‘It was like something that you have at home which becomes so familiar that you don't even pay attention to it’: memories of Mussolini and Fascism in Predappio, 1922–2010, Modern Italy 18, no.22 (May 2016): 157–175.https://doi.org/10.1080/13532944.2013.780426Laurence Hooper ‘Riacquistare la Casarsa buona’: Exile, Realism, and Authorship in Pasolini’s Atti impuri and Amado mio, Italian Studies 68, no.11 (Nov 2013): 138–154.https://doi.org/10.1179/0075163412Z.00000000037Arnd Bauerkamper A New Consensus? Recent Research on Fascism in Europe, 1918-1945*, History Compass 4, no.33 (May 2006): 536–566.https://doi.org/10.1111/j.1478-0542.2006.00316.xJoseph P. Sottile The Fascist Era: Imperial Japan and the Axis Alliance in Historical Perspective, (Jan 2004): 1–48.https://doi.org/10.1057/9781403980410_1Frances Flanagan Time, history, and fascism in Bertolucci's films, The European Legacy 4, no.11 (Feb 1999): 89–98.https://doi.org/10.1080/10848779908579947R. J. B. Bosworth Film Memories of Fascism, (Jan 1999): 102–123.https://doi.org/10.1007/978-1-349-27245-7_7R.J.B. Bosworth Tourist Planning in Fascist Italy and the Limits of a Totalitarian Culture, Contemporary European History 6, no.11 (Sep 2008): 1–25.https://doi.org/10.1017/S0960777300004033Claudio Fogu Il Duce taumaturgo: Modernist Rhetorics in Fascist Representations of History, Representations , no.5757 (Jan 1997): 24–51.https://doi.org/10.2307/2928662