Abstract
This book explores the production of pop music in Tehrangeles, a name given to Los Angeles by the Iranian diaspora, through its impact on Iranian identity. This form of pop music has been circulating widely abroad and in Iran for decades, and it is particularly relevant when considering cultural exchanges between Iran and its diaspora. Hemmasi explores how music producers have positioned themselves to reflect on the question of the Iranian nation. The book is particularly interesting when it ...
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