Abstract
The indignados movement has suggested that the roots of Spain’s political and economic bankruptcy are to be found in the ‘Regime of 78’, allowing Francoist ills to continue after the Transition to Spain’s parliamentary democracy. This article critically accesses how and why two recent television series – Fariña/Cocaine Coast (2018) and Patria/Homeland (2020) – depict drugs and terrorism, major blights to everyday lives in Galicia and the Basque Country, respectively, during the post-Franco period. The article asks how these twenty-first-century screen narratives rewrite canonical accounts of the Transition during a time of crisis in which the success of local television drama has provided a rare light of optimism – Fariña was bought by Netflix and Patria is the first Spanish drama to be produced by HBO Europe.
Published Version
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
