Fantasies of Recognition

Abstract

This article locates Austin Clarke’s writing in relation to the contemporary scandals that are transforming Canadian literature. Clarke’s work historicizes the present struggles in Canadian literature to centre Black voices and challenge white supremacy. Furthermore, the monological dimensions of Clarke’s writing challenge notions of multicultural recognition and understanding through dialogue. In a manner that reflects Clarke’s own experience with the institutions of CanLit, his characters speak to a white Canada that is largely indifferent to their words and refuses to recognize them on their terms.