Abstract
Frantz Fanon is considered one of the most important philosophers of decolonization in the XXth century within the Latinamerican tradition. This article recovers the “body” as the central category presented in his first work Black Skin, White Masks. From a critical feminist perspective, it is possible to identify the influence of the feminist theory in his work, in particular, Simone de Beauvoir’s conception of body and phenomenology.
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