Abstract
Évelyne Le Garrec's La Rive allemande de ma mémoire is what the author calls an ‘auto-reportage’ undertaken in the hopes of healing a lifetime of marginalization. Her mother's German heritage, combined with her collaborationist father's admiration of Hitler's Nationalist Socialism, meant that her self-image was intertwined with les années noires. Through historical documents and interviews with people who knew her father, Le Garrec gathers ‘evidence’ in an effort that resembles a coroner's inquest, thereby bringing to light a multi-generational trauma. Using recent criticism on postmemory and trauma testimony, I examine how Le Garrec's parents' trajectories determine her own.
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