Abstract
Focusing on Anita Desai’s collection Diamond Dust and Other Stories (2000), this article examines three short stories: “Diamond Dust – A Tragedy,” “The Man Who Saw Himself Drown” and “The Rooftop Dwellers.” Respectively borrowing from tragedy, the fantastic and the fairy tale, they use the generic malleability of the short story and entail a questioning of the hybrid nature of this literary genre. The notion of hybridity also resonates as a political strategy of ideological and formal subversion, and this article examines the possible link between the hybrid generic nature of those three texts, and the themes they explore – gender, otherness and Indian identity.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
