Abstract
ABSTRACT In 2019, the Eurovision Song Contest (ESC) was hosted in Tel Aviv. Like other national contests such as the Olympics or the FIFA World Cup, the ESC is a political event. For gay Israeli men who are ESC fans, this was an opportunity to become more integrated in the gay and national communities through homonormativity and homonational processes. However, as this case study shows, Israeli gay men ESC fans mostly rejected homonational masculinity in favor of a counterhegemonic identification, self-characterized as “ESC geeks.” In that, they adhered to their marginal space and adopted a subversive queer perspective. Analytically, this means that homonationalism should not be considered a political form of normalizing power that is accessible to all gay men. Rather, it is a process that produces manifold, including queer practices, and it can no longer be seen as accessible to all LGBTs, or as something into which LGBTs are duped.
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