Abstract
This article zooms into the practice and historiographical implications of doing television history with women. Drawing primarily upon interviews with women having worked at Romanian television during communism, the article develops a conceptual understanding of ‘feminine voices’ as primary sources into television history. It situates these gendered historical sources within historiographical practices of accessing neglected, marginalized or silenced areas in television history, in other words, the ‘blind spots’ in the medium’s history.
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