Abstract

As the frequency separation of A and B tones in an ABAABA tone sequence increases the tones are heard to split into separate auditory streams (fission threshold). The phenomenon is identified with our ability to ‘hear out’ individual sound sources in natural, multisource acoustic environments. One important difference, however, between natural sounds and the tone sequences used in most streaming studies is that natural sounds often vary unpredictably from one moment to the next. In the present study, fission thresholds were measured for ABAABA tone sequences made more or less predictable by sampling the frequencies, levels or durations of the tones at random from normal distributions having different values of sigma (0–800 cents, 0–8 dB, and 0–40 ms, respectively, for frequency, level, and duration). Frequency variation on average had the greatest effect on threshold, but the function relating threshold to sigma was non-monotonic; first increasing then decreasing for the largest value of sigma. Differences in the sigmas for A and B tones tended to reduce thresholds, but covariance in the A and B tones had little effect. The results suggest that the principles of perceptual organization underlying streaming may differ for predictable and unpredictable tone sequences.

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