Abstract

Introduction: Emersonian Poetics 1. Marie Menken and the Somatic Camera 2. Ian Hugo and Superimposition 3. Stan Brakhage's Autobiography as a Cinematic Sequence 4. Jonas Mekas and the Diary Film 5. Hollis Frampton and the Spectre of Narrative 6. Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe 7. Beavers's Second Cycle: The Past in the Present - The Present in the Past 8. Andrew Noren and the Open-Ended Cinematic Sequence 9. Ernie Gehr and the Axis of Primary Thought 10. Warren Sonbert's Movements in a Concerto 11. Brakhage and the Tales of the Tribes 12. Frampton's Magellan 13. Abigail Child: Textual Self-Reliance 14. Su Friedrich: Giving Birth to Myself 15. Brakhage: Meditative Cinema 16. Beavers's Third Cycle: The Theater of Gesture 17. Mekas's Retrospection Conclusion: Perfect Exhilaration Appendix: Chronology of Films

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