Eye Camera Window: Takashi Homma on Le Corbusier

Abstract

A new exhibition at the Canadian Centre for Architecture (Montreal, QC), Eye Camera Window: Takashi Homma on Le Corbusier, investigates the practice of Japanese architectural photographer Takashi Homma (1962) and his exploration of the intrinsic similarities between windows and cameras in the way they mediate an experience, be it in a modernist dwelling or in a photograph recalling a memory. Homma’s photographs focus attention on the ‘eye’, the ‘camera’, and the ‘window’ in the way they shape perspective in intimate form. In a visual interpretation that uses the camera lens as an eye to witness new forms, Homma advances an argument of timelessness, providing intimate architectural perspectives on eternal vistas.