Abstract

This article examines the phenomenon of the commercialization of the American Dream through the example of consumerism around the realm of the suburban home, a key element of this concept in the United States, as well as the role of reality television in creating and encouraging inflated standards of consumption. It uses the example of the American television show Extreme Makeover: Home Edition. The article outlines the history and role of the American Dream, particularly the origins of the term itself, coined by Truslow Adams. The behaviour that Thorsten Veblen calls conspicuous consumption, which is characterized by a tendency to display material status in order to gain social respectability and prestige, is identified. The suburban house as a key element of the American Dream is analysed through the example of the makeovers presented in the programme. Their significant scale and unrealistic nature are often at odds with the real financial capabilities of the participants and are the cause of bankruptcies and financial problems. As the programme belongs to a genre that is supposed to reflect reality, in the light of the cultivation theory, created by George Gerbner, it influences viewers whose world-view is shaped by it and whose role models are imitated. Thus, the presented standards of a comfortable home in line with the American Dream can influence viewers’ consumption behaviour by showing them that the acquisition of possessions is a solution to problems, a reward for an honest life and that there are no financial consequences associated with them. The lavishness of the houses and their luxury reinforce this impression. Finally, the article seeks to answer the question to what extent and why the need of Americans to live up to the vision of living the illusive American Dream – thus creating an image of success and social status – is exaggerated and its standards are taken to an ‘extreme’.

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