Abstract
The first half of the twentieth century is rich in iconographic manifestations in the mass media, a particular area, Extremadura, becomes iconographic object covers, magazines and documentaries. Three works are key to the expansion of iconographic references: Ruth M. Anderson, In the lands of Extremadura, Luis Buñuel The Hurd: Land Without Bread and Spanish Village: It lives at ancient poverty and faith, W. Eugene Smith. The objective set is to show intertextuality lines containing study images through visual representations.
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