Expressive reading: A phenomenological study of readers' experience of Coleridge's The rime of the ancient mariner.

Abstract

To articulate what constitutes expressive reading, we conducted a phenomenological study of readers’ responses to Samuel Taylor Coleridge’s poem, The Rime of the Ancient Mariner. After reading the poem twice during 1 week, each of 40 readers chose five passages that they found striking or evocative and then commented on each one. Numerically aided phenomenological methods [(Kuiken, D., & Miall, D. S. (2001). Numerically aided phenomenology: Procedures for investigating categories of experience. Forum Qualitative Sozialforschung/Forum: Qualitative Social Research, 2(1). Retrieved from http:// www.qualitative-research.net/index.php/fqs/article/view/976] were used to (a) compare these commentaries, identifying and paraphrasing recurrent meaning expressions (called constituents); (b) create matrices reflective of the profiles of constituents found in each commentary; (c) create clusters of commentaries according to the similarities in their profiles of constituents; and (d) examine each cluster to ascertain their distinctive attributes. Among the six distinct types of commentary identified, one in particular involved (a) metaphoric and quasi-metaphoric engagement with sensory imagery from the poem; (b) progressive transformation of an emergent affective theme; and (c) metaphoric blurring of boundaries between the reader’s and narrator’s perspectives. This mode of reading, which we call expressive enactment, contrasted with five other types of response: ironic allegoresis, aesthetic feeling, autobiographical assimilation, autobiographical diversion, and nonengagement.