Abstract

This article examines the presence of a strictly Qur'anic base shaping the Islamic feminism of Ramatoulaye, the narrator and main protagonist of Mariama Bâ's francophone classic So Long a Letter (1979). I argue that the widely circulated insistence by critics and readers of Bâ's epistolary style novel on the practice of Islam in West Africa, particularly in Senegal, as a syncretic presence eagerly adapting to indigenous non-Islamic beliefs and practice, has led to an overly generalized and somewhat inaccurate perception of Islam in Africa. Through my reading of some key Islamic concepts described in Bâ's novel, such as the mirath, polygamy, prayer and sunna, I situate my reading of Ramatoulaye's expression of Islamic feminism within an African and Islamic feminist reading and further position these within the cultural context of the practice of Islam in Senegal. By her ‘strategic self-positioning’, as defined by Islamic feminist Miriam Cooke, among others, within a small group of Senegalese Muslims – locally known as ibadu Muslims – Ramatoulaye succeeds in enacting Islamic feminism in her spiritual persistence for a strict adherence to the Qur'an and in her resistance to the temptation to expand the Islamic precepts of her faith.

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