Exposure and Black Migrancy in Teju Cole

Abstract

Abstract Through a reading of Teju Cole’s novel Open City (2011), this article argues that the exposure of black migrants constitutes the principal organizing conceit of global literary culture and knowledge production. The novel’s protagonist, a Nigerian emigre named Julius, is faced with ceaseless scrutiny as he traverses urban spaces in the US, Europe, and West Africa, meeting other migrants. In staging Julius’ encounters with others, the novel allegorizes a structure of racialized subjection continuous with the modern history of western epistemology and glaringly present in the contemporary. Yet it also provides grounds for a recursive ethic of opacity, which Julius eagerly endorses. The article surveys critical studies of race, migration, infrastructure, and world literature, in addition to Cole’s writings on photography. The aim is not only to uncover the logics of racialization at play in the enactment of culture, but also to conceive of culture itself as a historical infrastructure of privation and control.