Abstract

Exposing the Film Apparatus addresses the keen awareness of the prominence of media technologies in the last two centuries, while also focusing on how such an awareness is impacting the curatorial consciousness of those working in film archives, technology, and media museums today. To evoke the richness of the topic, Exposing the Film Apparatus deliberately offers a variety of approaches to the subject matter by tapping into the perspectives of professionals working in very different ways on a wide range of film technology-related issues—from archivists, curators, projectionists, theorists, and film and media historians to new media specialists, media archaeologists, and educationists.

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