Abstract

This paper is based on the history of Guqin art and employs a chronological approach to examine various aspects such as players, music, and tablature throughout different periods. By outlining the historical development of Guqin art, it prompts contemplation on the contemporary inheritance and development of Guqin art. This paper presents four proposed ideas for the inheritance and development of Guqin art, which include establishing a professional Guqin teaching system, emphasizing the study of Guqin tablature notation techniques, strengthening the popularization of Guqin art among the general public, and addressing the new challenges faced by Guqin art in the present. The author believes that aligning Guqin art with the modern era is an inevitable trend in its artistic development.

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