Abstract
This study recycles and repurposes discarded studio waste materials, such as broken ceramics, glass fragments, sawdust, and bits of shattered P.O.P molds, to create visually compelling creative works. The interest for this study is inspired by the prolific generation of waste that arises from the studio learning practices of sculpture and ceramic students. A studio-based research approach utilizing Aesthetico-Action Research design is employed in a systematic approach to explore the feasibility and promise of composite amalgamation. The researchers mix resin and fiberglass composite materials with the various types of studio waste. The primary objective is to achieve creative outcomes with unconventional and unique finishes. The technique, philosophical and symbolic application, and usage of these materials in creating distinct art pieces including an exclusive “African woman” offer intriguing insights. The study reveals that the studio can efficiently repurpose waste materials, creating new cast materials for sculptures and ceramic works with distinctive and non-traditional finishes. This highlights the intrinsic transforming capacity of disposable waste materials, presenting a compelling opportunity for new and sustainable artistic practice where material finishes are not concealed.
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