Abstract
Based on an empirical case study of transnational (United States and Australia) youth net-radio users, this article evaluates theoretical debates between the classic and contemporary post-subcultural theories. This article seeks to bridge the two theoretical strands and re-evaluates the role of style, resistance, and social class in subcultural theory by relating them to the dynamics of a transnational youth net-radio hierarchy. This net-radio hierarchy is defined by youths' musical tastes; how much power 16 users have over their net-radio consumption and production practices, and their resistance to traditional radio.
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