Exploring music geography beyond the West: Clustering and mobility of Chinese musicians in the digital era

Abstract

This study explores music geography beyond the Anglo-American circle through an investigation of the spatiality and mobility of musical workers in a Chinese context. Drawing on a dataset containing the information of 3,689 influential musicians in China’s music market, we investigated the (1) geographical landscape of China’s music industry, (2) spatial mobility of musicians at different stages of their careers, and (3) impact of digital technologies on the clustering of creative musical workers. Our study discovers a conspicuous clustering of post-work musicians in large metropolises, which reflects both the dynamics of scale and scope economies and the influence of state on the offering of cultural infrastructures and institutions in China. Most Chinese musicians have high trans-regional mobility and target locations (increasingly on the Chinese mainland) with large consumer markets or important art education institutions. The impact of geographical distance and agglomeration economies on musicians’ mobility varies at different stages of their careers. In addition, while digitalisation generates certain decentralising effects, enabling more musicians in formerly peripheral areas to enter the market and reducing the need for long-distance mobility, it also strengthens the advantages of dominant music clusters and produces precarious and volatile consequences in China’s music industry.