Abstract
The purpose of this article is to construct a critique of some works by the French artist Lucy Schwob, better known as Claude Cahun, who was active between 1910 and 1950. A writer and photographer, Cahun was at first very close to symbolist positions; later she was closer to the surrealist movement. Her work and her life, continually suspended between genders, and between ‘normality’ and ‘deviance’, have so far been analysed mainly through gender studies. This article attempts to restore the inherent complexity of her poetic work and aesthetic. It tries to widen the field of study to deal with the representation of alterity, through reversing the stereotypical representation.
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