Abstract
Oral history, which collects historical materials by means of oral interviews, is an important auxiliary means for ethnomusicological research. Marked by the First Symposium on Oral History of Music in 2014, the academic community has launched a series of discussions and elaborations on its concepts, methods, norms, meanings, and other dimensions, and a series of academic achievements have been born. In this paper, we will combine relevant theses to explain how music oral history as contemporary history can achieve “intertextuality” in ethnomusicological research, emphasize its humanistic attributes, and summarize our reflections on the basis of existing academic experiences.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
