Abstract

The multidimensional iterative composition of urban landscapes and the formation mechanism of the aesthetic perception dimension are elucidated. The cognitive schema theory aims to reveal the intrinsic mechanism of urban landscape aesthetic activities. Using London as an empirical case to explore the representation and structure of urban landscape aesthetic, a cognitive schema, the cognitive map of its urban landscape, was constructed based on the qualitative analysis of the texts derived from travel notes. Eight aspects of urban landscapes, together with 21 representative concepts of cognitive schema closely related to aesthetic perception, indicate the structures and approaches people perceive in urban landscapes. This article provides experience and reference for urban landscape enhancement and related practices in China by studying the contemporary Western urban landscape.

Highlights

  • The urban landscape is the carrier of urban characteristics and cultural features and the critical medium for people to perceive and experience the city

  • People interact with the urban landscape through aesthetics, while, the aesthetic activity is a process of comprehensive spatial experience

  • Cognitive schema is the deep structure of cognitive activities

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Summary

Introduction

The creation and improvement of urban landscape shall fully consider people’s demand, based on a people-oriented perspective Such demand is contained in the interaction between human and urban landscape, and the aesthetic activity is the most basic and most representative form of interaction. The corresponding indicators are set for rigid control or elastic control according to the degree of correlation between these key representations and dimensions and urban features In this way, it helps indicate the direction for the design and optimization of urban architectural landscape, and create a livable urban architectural environment with a sense of place

Aesthetic Perception Dimension of the Urban Landscape
Multidimensional
Aesthetic
Introduction to the Research Area
Selection of Research Materials
Concept Coding and Cognitive Map Construction
43. See the Southwark Bridge and the distant
21. Coordination with the environment—12 from
Conclusions
Full Text
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